Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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TIZIANO Vecellio
Bacchanal or the Andrier

ID: 45656

TIZIANO Vecellio Bacchanal or the Andrier
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TIZIANO Vecellio Bacchanal or the Andrier


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TIZIANO Vecellio

Italian painter, Venetian school (b. 1490, Pieve di Cadore, d. 1576, Venezia).   Related Paintings of TIZIANO Vecellio :. | Presentation Maria in the temple | Religion Helped by Spain ar | Assumption of the Virgin (detail) et | Cardinal Alesandro Farnese | Assumption of the Virgin (detail) t |
Related Artists:
Abraham Fischer
1850 ?C 1913,was the sole Prime Minister of the Orange River Colony in South Africa. He was originally a lawyer in Cape Colony, joining the bar in 1875. He became vice-president of the Orange Free State's volksraad in 1893 and a member of the executive council in 1896. During the Boer War he went to Europe to solicit support for the Boers, returning in 1903 to practice law in the newly-formed Orange River Colony. Continuing to promote the Boer cause, he helped form the Oranje Unie party in May 1906 and became its chairman; the party won the majority of seats in the colony's first elections that were held in November 1907. On November 27, he was chosen as Prime Minister, and stayed in that position until it ceased to exist with the union of May 31, 1910. He then joined the cabinet of the Union of South Africa.
Miroslav Kraljevic
Emanuel Phillips Fox (1865-1915) was an Australian Naturalist painter.
Joos van Craesbeeck
(c. 1605/06- c. 1660) was a Flemish painter who specialized in tavern interiors, tronies, and other works similar to his teacher Adriaen Brouwer. Born in Neerlinter (Flemish Brabant), he became a master in Antwerp's guild of St. Luke in 1633?C1634, and like his contemporaries David Teniers the Elder and David Rijckaert III he developed rustic genre scenes. He subsequently moved to Brussels, where he joined that city's painters' guild in 1651. Paintings such as Death is Violent and Fast are typical of his small, theatrical images of peasants brawling crowded with violent expressive figures. Unlike Teniers, whose style became more elegant, Craesbeeck continued to paint bawdy figures later in his career.






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